The influence of playing simultaneously with singing in flute sonority

dc.contributor.authorStreitová, Monika
dc.contributor.editorIoan, Orcea
dc.date.accessioned2023-07-05T13:30:09Z
dc.date.available2023-07-05T13:30:09Z
dc.date.issued2020-01-29
dc.description.abstractThis project falls within the area of developing innovative methods in teaching the flute. It focuses on search and application of singing as contemporary technique of sound production that may contribute to the creative development of sonority of the students. The research has been conducted systematically with the aim to deepen the theoretical knowledge and practical skills of the students, learn the simultaneous singing and playing and add them to their daily studies. For this purpose, different compositions and excerpts of compositions employing singing have been selected and applied to resolve effectively various problems in sound production and result in a more grounded interpretation of contemporary music, as well as classical music.por
dc.identifier.authoremailstreitova@uevora.pt
dc.identifier.citationWhen we compare the sound quality before and after the use of the technique of playing simultaneously with singing, we see that the sound spectrum was enriched through the increase of superior harmonics which were better defined, especially starting from 2.5 Hz. (Streitová, 2020)por
dc.identifier.doihttps://doi.org/10.31926/but.pa.2019.12.61.52por
dc.identifier.scientificarea203por
dc.identifier.urihttps://webbut.unitbv.ro/index.php/Series_VIII/article/view/1387
dc.identifier.urihttp://hdl.handle.net/10174/35320
dc.language.isoporpor
dc.peerreviewedyespor
dc.publisherTransilvania University Presspor
dc.rightsopenAccesspor
dc.subjectflutepor
dc.subjectsonoritypor
dc.subjectplaying simultaneously with singingpor
dc.subjectexperimental pedagogypor
dc.subjectcontemporary musicpor
dc.titleThe influence of playing simultaneously with singing in flute sonoritypor
dc.typearticle

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