À propos de Bohor (1962) de Iannis Xenakis

dc.contributor.authorGibson, Benoît
dc.contributor.editorSolomos, Makis
dc.date.accessioned2017-01-30T12:48:11Z
dc.date.available2017-01-30T12:48:11Z
dc.date.issued2015
dc.description.abstractBohor is the last of the five electronic works composed by Iannis Xenakis at the studio of the Groupe de Recherches Musicales at the French Radio in Paris. It is also presented as the first piece conceived for eight channels. Relying on Xenakis's writings and interviews, and on documents and sketches located in the Xenakis Archives, this paper contextualises Bohor and provides elements of analysis on the relationship between music and the composer's graphic plan of the work. It also shows the many possibilities imagined by Xenakis over the years for the sound diffusion of Bohor.por
dc.identifier.authoremailbg@uevora.pt
dc.identifier.citationBenoît GIBSON, “À propos de Bohor (1962) de Iannis Xenakis”, in Makis Solomos (Ed.) Iannis Xenakis, La musique électroasoutique. The electroacoustic music, (Paris, L’Harmattan, 2015), pp. 83–96. ISBN: 9782343066967por
dc.identifier.isbn9782343066967
dc.identifier.scientificarea203por
dc.identifier.urihttp://www.editions-harmattan.fr/catalogue/couv/aplat/9782343066967.pdf
dc.identifier.urihttp://hdl.handle.net/10174/20278
dc.language.isofrapor
dc.peerreviewedyespor
dc.publisherL’Harmattan (Paris, France)por
dc.rightsrestrictedAccesspor
dc.subjectIannis Xenakispor
dc.subjectBohorpor
dc.titleÀ propos de Bohor (1962) de Iannis Xenakispor
dc.typearticlepor

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