On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese- Flemish Paintings Attributed to The Master Frei Carlos Workshop

dc.contributor.authorValadas, Sara
dc.contributor.authorV. Freire, Rita
dc.contributor.authorCardoso, Ana
dc.contributor.authorMirão, José
dc.contributor.authorB. Dias, Cristina
dc.contributor.authorVandenabeele, Peter
dc.contributor.authorCandeias, António
dc.date.accessioned2016-03-14T10:18:26Z
dc.date.available2016-03-14T10:18:26Z
dc.date.embargo2015
dc.date.issued2015
dc.description.abstractThis paper reports an unusual green pigment, brochantite (Cu4(SO4)(OH)6), on 16th-century Portuguese-Flemish paintings, attributed to the Master Frei Carlos workshop. This green mineral is usually identified as an impurity or alteration product in the green pigments verdigris (Cu(CH3COO)2 nCu(OH)2) or malachite (CuCO3 Cu(OH)2). However, after thorough investigation with a broad range of analytical techniques, it became clear that, in this case, brochantite was applied as a pigment. The abundance, pigment granulometry, and pigment morphology suggest intentional use by this Portuguese-Flemish Master as a natural pigment rather than its accidental use as an alteration product. This seems to be a distinguishable feature to other painters (Flemish and Portuguese) working in Portugal at the beginning of the 16th century. The multi-analytical study of these easel paintings was first performed by physical imaging techniques and material characterization was carried out by optical microscopy, micro-Fourier-transform infrared-spectroscopy, micro-Raman spectroscopy, scanning electron microscopy coupled with energy dispersive X-ray spectrometry, and micro-X-ray diffraction analysis (XRD).por
dc.identifier.authoremailnd
dc.identifier.authoremailnd
dc.identifier.authoremailnd
dc.identifier.authoremailjmirao@uevora.pt
dc.identifier.authoremailcmbd@uevora.pt
dc.identifier.authoremailnd
dc.identifier.authoremailcandeias@uevora.pt
dc.identifier.citationMicrosc. Microanal. 21, 518–525, 2015por
dc.identifier.doidoi:10.1017/S1431927615000094por
dc.identifier.scientificarea304por
dc.identifier.urihttp://hdl.handle.net/10174/17980
dc.language.isoporpor
dc.peerreviewednopor
dc.rightsrestrictedAccesspor
dc.subjectmicroanalysispor
dc.subjecteasel paintingpor
dc.subjectgreen pigmentpor
dc.subjectbrochantitepor
dc.titleOn the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese- Flemish Paintings Attributed to The Master Frei Carlos Workshoppor
dc.typearticlepor

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