Non-serial criteria in the pitch organization of Webern´s twelve-note works
| dc.contributor.author | Bochmann, Christopher | |
| dc.date.accessioned | 2011-10-26T16:59:18Z | |
| dc.date.available | 2011-10-26T16:59:18Z | |
| dc.date.issued | 2002-07 | |
| dc.description.abstract | This article shows how the intervals produced by specific realizations of the row can define the musical character more than the mere use of the row itself. Examples are drawn from the Concerto Op.24. | por |
| dc.identifier.authoremail | nd | |
| dc.identifier.citation | Non-serial criteria in the pitch organization of Webern´s twelve-note works | por |
| dc.identifier.scientificarea | 203 | por |
| dc.identifier.uri | http://hdl.handle.net/10174/2811 | |
| dc.language.iso | por | por |
| dc.peerreviewed | no | por |
| dc.publisher | Instituto Gregoriano de Lisboa | por |
| dc.rights | openAccess | por |
| dc.subject | interval | por |
| dc.subject | isobematic | por |
| dc.title | Non-serial criteria in the pitch organization of Webern´s twelve-note works | por |
| dc.type | article | por |