A study of the “i” vowel on tenor passaggio in the aria “Una furtiva lagrima” by Gaetano Donizetti

dc.contributor.authorSantos, Marcos
dc.contributor.editorIoan, Oarcea
dc.date.accessioned2022-02-22T16:08:40Z
dc.date.available2022-02-22T16:08:40Z
dc.date.issued2022-01-27
dc.description.abstractThis study is an analysis of voice technique for the tenor, more specifically of the “i” vowel in the aria “Una furtiva lagrima” by Gaetano Donizetti. It studies 6 different recordings of singers who recorded this aria with a gap of 50 years from the oldest one till the recent one. It analyse the vowel modification and the vocal frontality of the i vowel in the tenor ́s passaggio and in the high register. The lighter voices have a natural frontality that are richer in harmonics than the darker voices who have a squillo sound.por
dc.identifier.authoremailmafs@uevora.pt
dc.identifier.doihttps://doi.org/10.31926/but.pa.2021.14.63.2.12por
dc.identifier.issn2344-200X
dc.identifier.scientificarea203por
dc.identifier.urihttp://hdl.handle.net/10174/31098
dc.language.isoporpor
dc.peerreviewedyespor
dc.publisherTransilvania University Presspor
dc.rightsopenAccesspor
dc.subjectpassaggio, tenor, technique, vowel, modification, frontality.por
dc.titleA study of the “i” vowel on tenor passaggio in the aria “Una furtiva lagrima” by Gaetano Donizettipor
dc.typearticlepor
degois.publication.titleBulletin of the Transilvania University of Brasovpor

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