“Poe and Gothic Creativity”

dc.contributor.authorLima, Maria Antónia
dc.date.accessioned2012-01-10T12:46:23Z
dc.date.available2012-01-10T12:46:23Z
dc.date.issued2010
dc.description.abstractIn “Poe and Gothic Creativity,” Maria Antónia Lima explores the dark side of Poe’s creativity, and his addiction to a very demanding and almost demonic artistic process, which developed his impulse towards a “perverse art.” It , leads into a reflection upon the duplicity and ambivalence of Poe’s art determined by his concept of the “Imp of Perverse” and by a certain creative nihilism expressed in “Eureka,” which considered destruction as the origin of creation. The influence of Poe’s creative anxiety in contemporary gothic creativity is here underlined through several references to New Gothic Art, where the presence of an unresolved crisis in the creation process makes the psychopathology of contemporary culture visible.por
dc.identifier.authoremailmal@uevora.pt
dc.identifier.citation“Poe and Gothic Creativity” in Edgar Allan Poe Review, Spring 2010, vol. XI; number 1, The Pennsylvania State University, Center Valley, 2010, pp. 22-28.por
dc.identifier.scientificarea615por
dc.identifier.urihttp://hdl.handle.net/10174/3196
dc.language.isoporpor
dc.peerreviewedyespor
dc.publisherPoe Reviewpor
dc.rightsopenAccesspor
dc.subjectPoepor
dc.subjectGothicpor
dc.subjectCreativitypor
dc.title“Poe and Gothic Creativity”por
dc.typearticlepor
degois.publication.firstPage22por
degois.publication.issuenumber 1por
degois.publication.lastPage28por
degois.publication.locationThe Pennsylvania State Universitypor
degois.publication.titlePoe Reviewpor
degois.publication.volumevol. XI;por

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