Digital Experience Theatre. From Dystopian to Post-human Digital Product Design
| dc.contributor.author | Gorgel Pinto, António | |
| dc.contributor.author | Reaes Pinto, Paula | |
| dc.contributor.editor | Bujdosó, Attila | |
| dc.contributor.editor | Borda, Réka | |
| dc.contributor.editor | Szerencsés, Rita | |
| dc.date.accessioned | 2026-02-03T12:20:47Z | |
| dc.date.available | 2026-02-03T12:20:47Z | |
| dc.date.embargo | 2024 | |
| dc.date.issued | 2024 | |
| dc.description.abstract | Is the integration of technology in digital devices guided by sustainability across economic, social, en- vironmental, and cultural dimensions? Can a participatory UX/UI method, metaphorically de- scribed as a rubber band problem-focused ideation tool shifting from dystopian to micro-utopian thinking, drive innovation in socio-technological design? | por |
| dc.identifier.authoremail | gorgelpinto@gmail.com | |
| dc.identifier.authoremail | pmrp@uevora.pt | |
| dc.identifier.citation | Gorgel Pinto, A., Reaes Pinto, P. (2024). Digital Experience Theatre. From Dystopian to Post-human Digital Product Design. In Cumulus Conference Proceedings: Budapest 2024 (Vol. 2, pp. 9–10). Cumulus Association. DOI: 10.63442/FPTW8482 | por |
| dc.identifier.uri | DOI: 10.63442/FPTW8482 | |
| dc.identifier.uri | http://hdl.handle.net/10174/40644 | |
| dc.language.iso | eng | por |
| dc.peerreviewed | yes | por |
| dc.publisher | Cumulus Association | por |
| dc.rights | openAccess | por |
| dc.subject | Digital | por |
| dc.subject | Experience | por |
| dc.subject | Theatre | por |
| dc.subject | Digital product design | por |
| dc.title | Digital Experience Theatre. From Dystopian to Post-human Digital Product Design | por |
| dc.type | article | por |
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