On a Multiplicity: Deconstructing Cartesian Dualism Using Mathematical Tools in Performance
| dc.contributor.author | Santos, Telma João | |
| dc.contributor.editor | LeVan, Michael | |
| dc.date.accessioned | 2015-02-18T10:41:16Z | |
| dc.date.available | 2015-02-18T10:41:16Z | |
| dc.date.issued | 2014-12 | |
| dc.description.abstract | This paper aims to use some mathematical concepts to map and understand artistic processes within Performance Art practice. A model is presented, as well as a performance art piece as a case study where the model is applied | por |
| dc.identifier.authoremail | nd | |
| dc.identifier.citation | Liminalities: A Journal of Performance Studies Vol. 10, No. 3 (2014) | por |
| dc.identifier.scientificarea | 204 | por |
| dc.identifier.uri | http://liminalities.net/10-3/multiplicity.pdf | |
| dc.identifier.uri | http://hdl.handle.net/10174/12584 | |
| dc.language.iso | por | por |
| dc.peerreviewed | yes | por |
| dc.publisher | Liminalites: A Journal of Performance Studies | por |
| dc.rights | openAccess | por |
| dc.title | On a Multiplicity: Deconstructing Cartesian Dualism Using Mathematical Tools in Performance | por |
| dc.type | article | por |