An Artist’s Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes – iconographic and stylistic inf luences and underdrawing study
| dc.contributor.author | Antunes, Vanessa | |
| dc.contributor.author | Serrão, Vítor | |
| dc.contributor.author | Candeias, António | |
| dc.contributor.author | Mirão, José | |
| dc.contributor.author | Valadas, Sara | |
| dc.contributor.author | Carvalho, Maria Luísa | |
| dc.date.accessioned | 2022-05-06T15:05:19Z | |
| dc.date.available | 2022-05-06T15:05:19Z | |
| dc.date.issued | 2020 | |
| dc.description.abstract | Goa Cathedral former altarpiece, attributed to Garcia Fernandes and made around 1538, is one of the oldest western pictorial works in India. It is a work of great importance in the establishment of the conquest of Goa by the Portuguese but also for understanding the inf luence of Portuguese painting overseas. Goa Cathedral former altarpiece is revealed as a crucial study source of Garcia Fernandes' creative process. There is evidence in the vigorous underdrawing of these paintings, of the existence of different types of drawing, as well as abandoned iconographic themes, or formal alterations of compositions. The iconographic and stylistic study evidences north and south-European inf luences in the choice and representation of the themes around the Martírio de Santa Catarina. In the present study, this work is compared in the making of the underdrawing with other works attributed to Garcia Fernandes. | por |
| dc.identifier.authoremail | vanessahantunes@gmail.com | |
| dc.identifier.authoremail | vit.ser@letras.ulisboa.pt | |
| dc.identifier.authoremail | candeias@uevora.pt | |
| dc.identifier.authoremail | jmirao@uevora.pt | |
| dc.identifier.authoremail | svaladas@uevora.pt | |
| dc.identifier.authoremail | maria luisa.carvalho@fct.unl.pt | |
| dc.identifier.citation | Antunes, V., Serrão, V., Candeias, A., Mirão, J., Valadas, S., & Carvalho, M. L. (2020). An Artist’s Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes–iconographic and stylistic influences and underdrawing study. Conservar Património, 34, 73-87. | por |
| dc.identifier.doi | https://doi.org/10.14568/cp2018068 | por |
| dc.identifier.scientificarea | 266 | por |
| dc.identifier.uri | http://hdl.handle.net/10174/32025 | |
| dc.language.iso | eng | por |
| dc.peerreviewed | yes | por |
| dc.publisher | Conservar Património | por |
| dc.rights | openAccess | por |
| dc.subject | Garcia Fernandes | por |
| dc.subject | Portuguese painting | por |
| dc.subject | Goa Cathedral | por |
| dc.subject | Underdrawing | por |
| dc.subject | Infrared ref lectography | por |
| dc.subject | Iconography | por |
| dc.title | An Artist’s Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes – iconographic and stylistic inf luences and underdrawing study | por |
| dc.title.alternative | O caderno de esboços de um artista: o antigo retábulo da Sé de Goa (India) atribuído ao pintor Garcia Fernandes – influências iconográficas, estilísticas e estudo do desenho subjacente | por |
| dc.type | article |