Bohor (1962) de Iannis Xenakis
| dc.contributor.author | Gibson, Benoît | |
| dc.date.accessioned | 2013-10-11T10:00:59Z | |
| dc.date.available | 2013-10-11T10:00:59Z | |
| dc.date.issued | 2012-02-21 | |
| dc.description.abstract | This presentation is the first draft of an analysis Xenakis' electroacoustic piece Bohor (1962). Relying on music examples, graphic representations and documents found in the Xenakis Archives held at the Bibliothèque nationale de France, it shows how Xenakis conceived and developed the ideas of continuity and spatialization in the piece. | por |
| dc.identifier.authoremail | bg@uevora.pt | |
| dc.identifier.scientificarea | 203 | por |
| dc.identifier.uri | http://hdl.handle.net/10174/8831 | |
| dc.identifier.withinvitedoralpresentation | sim | por |
| dc.identifier.withoralpresentation | sim | por |
| dc.identifier.withposter | nao | por |
| dc.language.iso | fra | por |
| dc.rights | openAccess | por |
| dc.subject | Iannis Xenakis | por |
| dc.subject | Bohor | por |
| dc.title | Bohor (1962) de Iannis Xenakis | por |
| dc.type | lecture | por |